Tag Archives: Damian Woetzel

IN CONVERSATION WITH DAMIAN WOETZEL, ART. DIR. VAIL INTL. DANCE FESTIVAL

28 Jul

Carla Körbes and Eric Underwood rehearsing Agon. Photo: Erin Baiano

The Vail International Dance Festival 2012 kicks off its 24th season, July 29-August 11, with a packed two-week schedule crossing many genres of dance and program formats. This year the annual summer showcase for dance has a diverse line up, including the return of New York City Ballet MOVES, the Vail debut of Martha Graham Dance Company, plus International Evenings of Dance and Dance for $20.12. Additional programming will continue to embrace its original mission of advancing education in the arts through community-based off-stage events such as Celebrate the Beat and Village Vignettes.

Sterling Hyltin from NYC Ballet MOVES rehearses in Vail for the Vail International Dance Festival

Led by Artistic Director Damian Woetzel, VIDF has grown into one of the most renowned summer festivals in the world and has been widely acclaimed for its innovation. The 2012 event will feature ten performances at the Gerald R. Ford Amphitheater and Vilar Performing Arts Center.

Damian Woetzel is a former ballet star with a storied career in dance. He was a Principal Dancer at New York City Ballet from 1989 until his retirement from the stage in 2008, where he had works created for him by Jerome Robbins, Eliot Feld, Twyla Tharp, Susan Stroman, and Christopher Wheeldon among others. Among his recent projects was directing the first performance of the White House Dance Series in September of 2010, which took place in the East Room of the White House and was hosted by First Lady Michelle Obama. In 2009 and 2010, Woetzel produced and directed the World Science Festival Gala Performances at Lincoln Center’s Alice Tully Hall. For the 2010 event he created an arts salute to science honoring the theoretical physicist Stephen Hawking, featuring performances by Yo-Yo Ma, John Lithgow, and Kelli O’Hara among others.

Damian Woetzel. Photo: Erin Baiano

In 2006, Damain was appointed to lead the Vail International Dance Festival. Here are some excerpts from a recent conversation about the 2012 Festival and the performance lineup:

What makes this festival different from other dance festivals?

I try to always present performances that can’t be seen anywhere else, whether it’s a new partnership between dancers from different companies, or new works made especially for the festival or special performances in the UpClose series that explore an aspect of dance in depth. Some examples from this year are the pairing of Carla Korbes the ballerina from Pacific Northwest Ballet with Eric Underwood from the Royal Ballet– they have only ever danced together here in Vail and it is a wonderful partnership, Carla is also dancing with Cory Stearns from American Ballet Theatre, another partnership you won’t see anywhere else. The UpClose performance this year celebrates the incredible repertory of works created by George Balanchine to the music of Igor Stravinsky, and we will look at the works danced rehearsal style by the dancers of New York City Ballet MOVES.

Are any of the pieces or programs new?

Our “NOW” performance presents a number of world premieres this year, among them new works by Brian Brooks who is creating a piece with the great ballerina Wendy Whelan for the first time, and Christopher Wheeldon whose piece uses the incredible modern dancer Fang-Yi Sheu, and then Martha Graham Dance Company is premiering a new Lamentation Variation by Doug Varone–all are new works, but also new collaborations between wonderful artists.

Why Vail? What prompted this location and how does it differ from a festival in New York for example?

The Gerald R. Ford Amphitheater in Vail is unlike any other performance venue in the world, set with mountains and trees as a backdrop. One of my favorite memories is Balanchine’s Serenade being performed there as the moon rose in the sky behind the stage – amazing!

Next year will mark the 25th Anniversary of the Dance Festival. In recent years, what changes have you witnessed that make you especially proud?

In 2006, my wife Heather Watts had the idea to bring “Celebrate the Beat” – a dance and music education program – to Vail. This is a life changing program that teaches children how to learn and how to succeed, all through the arts, and now it is had been in the local schools in Vail for six years! I also take a lot of pride in our Dance for $20.12 program, which launched in 2008 and allows people an opportunity to see a world-class performance, all at a price that opens the door wide to new audiences.

If a “dance rookie” who is new to the VIDF and wants to attend a performance wanted advice on what to attend and look out for, what would be your advice?

I would definitely suggest coming to a series of performances to get a sense of what the person likes–to develop a taste for it. But if it were just one performance they could attend I would suggest the Dance for $20.12 performance, or one of the International Evenings as there is a real variety of dance styles to enjoy.

What piece(s) are you most excited to see performed?

I am really looking forward to seeing the new pieces on the NOW evening, and also very interested to see Jerome Robbins Moves on the Monday 7/30 performance by New York City Ballet MOVES–it is a groundbreaking ballet in silence that Robbins created in 1959, it’s a masterpiece, and to see it outside in Vail with the music of nature and life as its score is an incredible and unique opportunity.

To learn more, visit www.vaildance.org.

Video clips from the 2011 Vail Intl Dance Festival:

New York City Ballet MOVES performing an excerpt from Christopher Wheeldon’s After The Rain 8.1.11 – Gerald R. Ford Amphitheater in Vail, Colorado

New York City Ballet MOVES performing an excerpt from Jerome Robbins Dances At A Gathering on 7.31.11 – Gerald R. Ford Amphitheater in Vail, Colorado.

New York City Ballet MOVES performing excerpts of George Balanchine’s work throughout the century during UpClose: The Male Dancer by Balanchine hosted by New York City Ballet Master in Chief Peter Martins and Festival Artistic Director Damian Woetzel on 8.2.11.

This blog first appeared on The Huffington Post Dance Page on July 27, 2012.

Follow Adria Rolnik on Twitter: www.twitter.com/adriaballetbeat

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HEATHER WATTS AND TRACY STRAUS ON THE POWER OF ARTS EDUCATION

7 Jun

While scrolling through my Facebook News Feed a few weeks ago, I noticed a colorful photo posted by Heather Watts, former principal dancer with New York City Ballet. It was an eye-catching image of 300 children, all smiles with hands in the air, on stage at the Vilar Performing Arts Center in Beaver Creek, Colorado. The caption read, “CTB end of year performance” and congratulated the children, their teachers, “and Tracy, for organizing it all!”

Celebrate the Beat year end performance – May 4, 2012

What was CTB, I wondered? Why was Heather Watts involved with children in Colorado? And who was Tracy? I was curious, and wanted to learn more.

It turns out Heather is chairperson of Celebrate the Beat, (CTB), a not-for-profit Colorado-based organization which teaches music and dance classes to children. The program was founded by Tracy Straus, now Artistic Director of CTB, and is an associate of Jacques d’Amboise’s National Dance Institute.

(Associates of National Dance Institute – ANDI – is a collective of arts education programs inspired by National Dance Institute’s pedagogy. ANDI members share best practices, maintain standards of excellence and promote the growth of community arts education programs for children. More than 30,000 children are served annually by ANDI programs).

I decided to reach out to Heather and Tracy to find out more about Celebrate the Beat, what it takes to bring arts education into the public schools, and the positive impact such programs have on students.   What follows is a conversation on the wonderful and important work they are doing.

A conversation with Heather Watts:

Since retiring in 1995 as a principal dancer with New York City Ballet, you have given so much back to the dance community. You’ve lectured at Princeton and taught academic courses at Harvard; you are a lecturer on the works of George Balanchine, educate dance academics and work with professional dance students training future instructors. You have worked with The National Endowment for the Arts, serve on the Artists Committee for the Kennedy Center Honors, and are on the Hunter College’s Dance Advisory Board.

Heather Watts, former principal dancer with New York City Ballet

I have recently learned you are also chairperson of Celebrate the Beat, the Colorado-based NDI associate organization teaching music and dance classes to children.  Your hope is to motivate students “to believe in themselves, value artistic expression and develop personal standards of excellence.” What a wonderful endeavor.

How did you become involved with Celebrate the Beat? I had long admired National Dance Institute (NDI), the organization Jacques D’Amboise created. In fact, as he was in the beginning phase of creating NDI in the mid 1970’s I would often pass the small rehearsal hall after late rehearsals at NYCB and stop to watch and listen as Jacques worked with all sorts of SUPPOSED non-dancers; these were policemen, kids, and at one point he was involved in teaching and working with the hearing impaired as well… his passion and ability to get people from all walks moving and engaged is a true gift!!

In 2007, when my husband Damian Woetzel took on the artistic direction at the Vail Valley International Dance Festival, we both felt it was important to offer the entire Vail community access to dance. Since NDI is a fantastic dance and movement program with live music, I spoke to Tracy Straus, the associate director at NDI, who I knew through my friendship with her mother. It turned out she already had a Colorado based organization called Celebrate The Beat, and with the incredible energy of Damian at the VVIDF and Ceil Folz who runs the entire Vail Valley Foundation, we were able to start up immediately that summer and Tracy has built an amazing and robust program in Vail and in other communities in Colorado. This year CTB is moving into schools in Denver where we feel we will be addressing a diverse student body that really stand to benefit from the confidence and joy that CTB brings to kids!!

What influenced you to advise and mentor an organization teaching love of the arts to children? I have always believed that those that have been given a lot need to share in all areas of life. Both my mother and Mr. Balanchine were very civic minded and empathetic and it was a wonderful example and environment to be raised around, first at home in southern California and then later on at NYCB. I believe strongly in the power of arts education to engage and empower young people.

What are the rewards of participating in such a program? Is there a different kind of satisfaction in introducing school children to dance than in teaching professional dancers or students in university dance programs? Watching the pride that the youngsters take and the great energy that is in the room is VERY powerful!!!!

Do you work with the CTB children hands-on? I watch the students with tremendous pride and admire Tracy and her staff. Damian teaches hands on in his various projects with young students, both with Tracy and in the work he does with Yo-Yo Ma volunteering in schools. I am really happy watching, applauding, and plotting how to reach even more students!

Heather Watts and husband Damian Woetzel, Artistic Director of the Vail International Dance Festival

Do you think programs like CTB make a difference? I met a third grade teacher in Vail that told me he was truly against CTB for his kids. He felt it was a distraction from their studies and testing until he started to notice that the boys fought and fussed a lot less on days that they had CTB and that attendance was much better too… he is a true believer today for sure! It’s very important to utilize team work and create self esteem for learning. There is a big movement to justify arts in schools with facts and statistics that prove the usefulness of the arts, but I am a believer in engaging all children BECAUSE IT’S THE RIGHT THING TO DO, ENGAGING YOUNG HEARTS AND MINDS IN CREATIVE AND JOYFUL EXPERIENCES.

It’s always a struggle to find funding for the arts. What can be done to encourage public and private funding of programs which mentor arts education for children? As long as arts programs and arts education for children is considered an add-on, their funding will be the first to go. Today there is a much needed focus that is growing daily here in America on our education system and on necessary improvements in how we engage and measure our children’s progress. Arts education is a big part of building a 21st century creative mind, and I think that we have let way too many kids lose their way by not drawing in their young minds with music, dance, painting and the other various ways we can express those things we do not have words for.

Do you foresee a growth in the associate programs of the National Dance Institute? Oh yes indeed! NDI has a long, LONG fantastic reach that is growing day by day!!!!!!! Don’t forget it’s called NATIONAL Dance Institute — BRAVO to Jacques and his amazing program!! What an accomplishment. KUDOS to Tracy for all she does for both NDI and CTB and to our team on the ground in Colorado!! And special shout out to Ceil Folz the visionary head of the Vail Valley Foundation – she just makes it happen for the kids in the Vail Valley!!!!!!!!!

How can we help CTB, and other associates of National Dance Institute, to expand? What can arts advocates do to support and encourage development of similar programs? CTB is training more teachers and Tracy is generous to give away all her knowledge and expertise to all who will listen just as Jacques trained her. There are many fine Arts Ed Programs in America, and we can all help them grow by donating even small amounts of money, or by attending events put on in the schools or by starting our own!!!!!!! You can send money to both NDI and CTB online or in the mail. For more ideas if you believe in arts education and want to help, you can go on to www.DonorsChoose.org  and look up arts needs in schools, and help an individual teacher get the supplies she or he needs or help in other ways. Take a look, its amazing!! Even the smallest donation helps.

A conversation with Tracy Straus:

Tracy, you are the founder and Artistic Director of Celebrate the Beat (CTB), and have spearheaded the development of ANDI – Associates of National Dance Institute, a collective of arts education programs. You serve as the National Dance Institute (NDI) Associate Artistic Director, and lead their Residency Program. You are one of a core group of educators who have who have helped found NDI associated organizations across the country.

You engage and motivate young dancers. Introducing young people to the arts is your passion. Who better to talk to about the nuts and bolts of introducing young people to the arts via dance outreach programs? In fact, Celebrate the Beat began as an outreach program of Aspen Santa Fe Ballet.

Tracy Straus, Founder and Artistic Director of Celebrate the Beat

How does a dance educator go about establishing an outreach program, and how do such outreach programs become associates of the National Dance Institute? A few wonderful NDI associate programs have been created by teaching artists who have become “Master Teachers” after many years of working tirelessly for NDI in different and extremely challenging public school settings in NYC. Other associate programs have been created by dance educators who have been trained by us, and who then continue their training by assisting a master teacher on a few two or three week intensive ‘residency’ programs, during which they teach daily alongside a fabulously talented teaching artist. I was extremely fortunate to have begun working with NDI at a time when Jacques (d’Amboise) was teaching a lot, and he took an interest in seeing me reach my potential, and invited me to assist him on many projects. I was also so fortunate to have been trained by three other extraordinary teachers: Catherine Oppenheimer, Lori Klinger and Ellen Weinstein. Eventually, after working in NYC for seven years, then working with NDI New Mexico for a year, Aspen Santa Fe Ballet hired me to create an ‘outreach’ program for them. Because the teaching is extremely effective, principals in other towns in Colorado wanted the program, and so it grew and became independent. And now, with the support of the Vail Valley Foundation, and a committed group of funders in Crested Butte and Paonia, it has grown tremendously. And in January we were awarded a grant from the Adams County School District in Denver, which supports our expansion into four schools Denver in the 2012-2013 school year.

Each NDI associate program has a very different “birth” story, but share one crucial element: the founder is brilliant in teaching children and other teachers, passionately committed to inspiring communities through this work, and excited by the challenge of raising funds to make it all happen.

During and after school hours, CTB teaching artists “serve entire grades or an entire school.” How do schools elect to participate in your program? Are you approached by the public schools to bring your program to them? Do you go to the schools to suggest arts programming? In most cases principals have heard about the success of CTB and approach us.

Do children choose to participate in the program, or are they enrolled as part of the regular school curriculum? To highlight our belief that to create a better world, ALL children need excellent first hand experiences in art, we place our classes alongside science, math, reading in importance, and the ENTIRE class participates during the school day.

How do the associate organizations fund raise? Do they receive support from NDI? Each organization is one hundred percent independent financially and in every other way. Associate programs share a vision and mission, but are run independently.

Do local school budgets contribute to financing your program? In some cases yes, in others no. Our most recent expansion in Denver is possible because the Adams County School District has committed to financing half the cost of our programs in four new schools in Denver.

How are you working to make the program grow? What can we do to promote arts education in the schools? Our growth continues to be very organic, in that we are responding to a demand for programming that truly benefits the child, her family, and the community at large. Thank you for asking what you can do to promote arts education in our schools. I answer by saying financial contributions are an excellent way to express your support and experience the joy of watching the children touched by this program excel in ways you didn’t quite know possible!

I see there are currently 11 associate organizations for NDI. How do they recruit instructors? Are they found locally? How are they trained in the NDI method? Each organization runs their program completely independently. Some send their teachers to NYC to participate in NDI’s Teaching Artist Training Workshops, some train them in their home programs.

Can you give an example of a success story? A child whose life may have been changed by participation in the CTB program? Oh yes…so many……a child who began a school year struggling in every subject excelled in CTB dance classes. By the end of the year he was also excelling in the classroom, and then was invited to dance on a world class stage – the Gerald Ford Amphitheater, accompanied by Yo Yo Ma….he continues to thrive in CTB and all areas of his life.

NDI’s founder Jacques d’Amboise said, “the arts have a unique power to engage and motivate individuals toward excellence.” How can we support the growth of programs such as Celebrate the Beat, programs that make a difference in the life of a child? Please join our mailing list and become involved as a friend and funder!

Find out more:

Celebrate the Beat

National Dance Institute

Associates of National Dance Institute

Master Class with Jacques d’Amboise – HBO’s “Master Class” on YouTube

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