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GO PRO TECHNOLOGY MEETS MODERN DANCE

30 Jan
Photo credit: Marisa @Rockpaper

NEON BRAVE – Photo credit: Marisa @Rockpaper

GoPro cameras have been attached to skiers, skydivers, animals, you name it! But finally a choreographer has taken the plunge and has decided to attach GoPros to dancers – the first time the mini cameras will be incorporated into a full-length dance work. white road Dance Media, a modern dance company based in Brooklyn, NY, will premiere Neon Brave on Thursday, Feb. 19  at Triskelion Arts new performance space in Williamsburg/Greenpoint.

GoPros will be a way for the audience to see, “what dancers see.” Projections unique to each of the four performers, including the nude soloist, will allow the audience to experience the feeling of participating, even “existing” in the dancers’ environment. Footage from GoPros will offer a different type of audience immersion, unique to this production.

Photo credit: Marisa @Rockpaper

Photo credit: Marisa @Rockpaper

“The use of GoPro cameras, particularly during the nude solo, will hopefully give the audience the feeling of dancing nude,” said Marisa Gruneberg, company director and choreographer. “And there’s no better way to see the body’s full expression, its vulnerabilities and beauties, its guts, than to see it nude and in motion. Being totally nude onstage is bravery in and of itself. Now the audience will experience that bravery as well.”

With Brooklyn the cutting edge locale these days for what’s new and innovative, it’s no surprise choreographers there are pushing the envelope!

Adria Rolnik is helping promote white road Dance Media NEON BRAVE at Triskelion Arts in Brooklyn, NY. Visit http://wrdm2015.brownpapertickets.com for tickets.

<p><a href=”http://vimeo.com/117248127″>white road Dance Media perform NEON BRAVE February 19, 27 & March 7</a> from <a href=”http://vimeo.com/whiteroaddancemedia”>white road</a> on <a href=”https://vimeo.com”>Vimeo</a&gt;.</p>

“BAD BOYS OF BALLET” RETURN AUGUST 26 TO AMERICA’S GOT TALENT

22 Aug

“Bad Boys of Ballet” on America’s Got Talent – August 19, 2014

America’s Got Talent judge Mel B. used her Wild Card to bring back the Baltimore-based “Bad Boys of Ballet,” after they were eliminated from AGT results show on Wednesday, August 20.

“Bad Boys of Ballet” will now return to the semi-final round of America’s Got Talent on Tuesday, August 26, LIVE from Radio City Music Hall, with a second chance at winning the $1 million prize. Adriaballetbeat touched base with Adrienne Canterna, choreographer and lead dancer of “Bad Boys,” to find out more about the troupe.

Here are some excerpts from our conversation:

Where did you study ballet? Tell me about your professional training.

My professional training is from the Kirov Academy of Ballet. I was a full scholarship student at this boarding school in Washington DC. It is a pure Russian-Vaganova school.

AMERICA'S GOT TALENT -- (l-r) Nick Cannon, Bad Boys of Ballet -- (Photo by: Virginia Sherwood/NBC)

AMERICA’S GOT TALENT — (l-r) Nick Cannon, Bad Boys of Ballet — (Photo by: Virginia Sherwood/NBC)

Have the dancers ever been members of a ballet or dance company, other than “Bad Boys”?

Some have been in Broadway and off-Broadway shows, some we got directly out of high school or college and others have danced with national or international tours and done commercial/TV/film work. I myself have danced with ballet and contemporary ballet companies and won the Gold medal at the 1998 USA International Ballet Competition.

What made you decide to choreograph this very different spin on contemporary ballet?

My training growing up was very diverse so I always had to desire to marry my favorite styles of dance together. Ballet is the cornerstone and I build upon that.

Why did you name yourself “Bad Boys?” And why does “Bad Boys” include a female dancer?

AMERICA'S GOT TALENT -- Bad Boys of Ballet -- (Photo by: Virginia Sherwood/NBC)

AMERICA’S GOT TALENT — Bad Boys of Ballet — (Photo by: Virginia Sherwood/NBC)

We’re BAD because we break the rules sometimes! We push the boundaries and attempt the extraordinary in the ballet world. We want to bring ballet into the 21st century. There’s a girl because I’m the boss and I put myself in the group! These boys make me better, stronger and push me to my full potential as a dancer and choreographer.

Do you see the future of ballet in this more modern interpretation, or do you think there is still a place for the classics (i.e. Swan Lake, Coppélia, The Sleeping Beauty) looking forward?

I hope the classics never die! I absolutely adore and am forever inspired by pure classicism! I just hope there’s a place for us too – something fresh, exciting, masculine, sexy, dynamic and athletic! Ballet is the most beautiful art form and I want more Americans to appreciate it!

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